Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Research Associate. Spirit in the Dark examines Black religious life through a selection of photographs from the Johnson Publishing Company, publisher of Ebony, Jet, and Negro Digest. Contact:KimSO@si.edu, Kurin, Richard, Distinguished Scholar and Ambassador-at-Large. Since 1967 the Smithsonian Folklife Festival has taken place at the National Mall and featured ongoing performances and demonstrations of contemporary cultural traditions. Year after year, it continues to bring musicians, artists, performers, craftspeople, workers, cooks, and storytellers into this public forum to demonstrate the skills, knowledge, and aesthetics that embody the creative vitality of community-based traditions. B.A. The Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. Crucial investigations are underway that will one day provide an accounting of Russias devastating war crimes. The Center for Folklife and Cultural Heritage is home to the Ralph Rinzler Folklife Archives and Collections, a public resource named for the founding director of the Smithsonian Folklife Festival. B.A. As such, it overlaps with topical arts programs brought to the National Mall each summer during the Smithsonian Folklife Festival. The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. (1970), Ph.D. (1974) University of Chicago. In 2010, a fourth component was added to this model: culture. Major projects have included the Anthology of American Folk Music, the Smithsonian Anthology of Hip-Hop and Rap, and numerous series on the music of Central Asia, the Andes, and other regions. Contact:ClarkLE@si.edu, Crdova, Amalia,Latino Digital Curator of New and Emerging Media. works with UNESCO, ministries of culture around the world, as well as local, national, and international governments to recommend and develop policy concepts and language on cultural sustainability. This project responds to that urgency by developing robust comparative research on revitalization eorts in six minority language communities. By 2003, the follow-up treaty was entitled the Convention for the Safeguarding of the Intangible Cultural Heritage. (1979) State University of New York at Binghamton; M.A. The Smithsonian Folklife Festival is an international exposition of living cultural heritage annually produced outdoors on the National Mall of the United States in Washington, D.C., by the Smithsonian Center for Folklife and Cultural Heritage. Among them was the Kosciuszko Foundation, a Polish American organization that, with funding and advice from the Smithsonian, has provided emergency stabilization supplies for dozens of Ukrainian museums from its offices in Warsaw. An image dated two weeks later, on February 27, depicts the museum roofless with major damage, while other nearby buildings remained undamagedan indication that the museum was specifically targeted. HERI mobilized to provide emergency packing materials. In the space of 15 years on the international playing field folklore has been rebranded as cultural heritage. In a September 2022 presentation in New Yorks Ukrainian Museum during United Nations General Assembly week, Ukraines first lady Olena Zelenska and Ukrainian Ambassador to the U.S. Oksana Markarova clearly articulated this point. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. B.A. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. Using that data, the labs analysts are able to see how closely the heat signatures align with cultural sites. Cultural Sustainability Research in Action. (2011) New York University. Eliot Elisofon Photographic Archives, African Art, Center for Folklife and Cultural Heritage. M.A., Ohio State University. (1970) Williams College; M.A. The task at first was overwhelming. Contact:smithsdl@si.edu, Younger, Erin,Research Associate. The compound name, Center for Folklife & Cultural Heritage, epitomizes an ongoing transition within the field of cultural studies. These were successfully concluded in 1987, and this collection became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. Director:Michael Atwood MasonTotal Full-Time Employees:45Annual Budget (federal, trust and business activities) FY 2017:$10 million. Senior Folklorist Emeritus. [1] Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. B.A. Curator. Free to the public, the Festival drew 8.25 million visitors on site and online in 2017. It had a seven million-dollar budget, lasted twelve weeks and involved five thousand artists from every region in the United States and from 35 other nations. It began with the first Festival of American Folklife in 1967. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. Afrofuturism: A History of Black Futures Box 37012, MRC 520 Washington, D.C. 20013-7012, Email powered by MailChimp (Privacy Policy, Terms of Use), Living traditions of, by, and for the people. This includes not only the artifacts which are born-digital but also older analog forms which require reformatting for the digital world.[10]. [note 4] Through these connections with external networks and strategic cultural partners, best practices and challenges emerge to inform the future of cultural heritage policy and practice at the Smithsonian. Dr. Richard Kurin That enables the monitoring of bombings, missile strikes, artillery shelling and fires. In concatenated form, it documents the shift from folklore to cultural heritage that has taken place in academics and in fieldwork within the last 15 years. Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage | Smithsonian Institution Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage The Center for Folklife and Cultural Heritage is home to the Ralph Rinzler Folklife Archives and Collections. How much of the culture of a region is embodied in the actual vocabulary of its language? Research specialties: Music history, library and information sciences, ethnomusicology, multicultural history of the banjo. The Smithsonian Cultural Rescue Initiative and its partners are aiding in the fight to protect the countrys history and to document attempts to erase it. Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. Behind the dancers is the sculpture "Infinity." project is a collaboration between the people of Armenia, the Smithsonian, and USAID. It is this contemporary shift that CFCH bridges in its compound title of Folklife & Cultural Heritage. The images in the exhibition spotlight noteworthy individuals and uplift objects from the museums collection, many on display for the first time. Research specialties: Intangible cultural heritage, Latin American music (specifically: USA, Mexico and Guatemala, Indigenous and migrant communities). The first lady spoke eloquently of the importance of history, art and culture in defining the identity of the Ukrainian people. With nearly 60,000 tracks of digitized music and sound, Folkways is a cultural treasure with unique holdings in American folk, world music and childrens music, including special series dedicated to African American and Latino music. Contact:HolmgrenM@si.edu, Hunt, Marjorie, Folklorist, Curator, Education Specialist. Ralph Rinzler Folklife Archives and Collections. At the 2007 Smithsonian Folklife Festival, visitors admire the Pakistani hand-painted truck originally brought to the Smithsonian for the 2002 Folklife Festival. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. (1985) Wichita State University; M.A. (1970), Ph.D. (1974) University of Chicago. The festival was started by folklorist Ralph C. Rinzler (1934-1994). This linguistic shift can be documented more precisely in the language of the UNESCO treaties. And the work of organizations, including the Smithsonian, mobilized thanks to years of cultural heritage training efforts, is aiding the country in its effort to protect artifacts, books, documents and artworks from these insidious attacks. B.A. Telephone: 202.633.6440 Fax: 202.633.6474, Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024, Mailing Address Center for Folklife and Cultural Heritage Smithsonian Institution P.O. Notably, more than 500 are religious sitesplaces of worship and cemeterieswith those of the Ukrainian Orthodox Church specifically targeted. Yugoslav dancers rehearse on the South Terrace of the National Museum of History and Technology, now the National Museum of American History, before their performance at the seventh annual Festival of American Folklife, June 30 - July 8, 1973. (1983), Ph.D. (1991) Indiana University. In 2010, the Initiative for Global Citizen Diplomacy honored the Festival with a Best Practice Award for International Cultural Engagement, and, in 2017, the American Alliance of Museums recognized the Festival with a Sustainability Excellence Award. Folklorist, Curator, Education Specialist. B.A. Email powered by MailChimp (Privacy Policy, Terms of Use), Living traditions of, by, and for the people. The center is a research and educational unit of the Smithsonian that produces the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, exhibitions, symposia, publications and educational materials. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. Research specialties: Africa and African Diaspora studies, immigrant and transnational culture and ethnicity, ethno-aesthetics, participatory research, cultural representation and cultural policy, culture and disability, multicultural education/social contexts. Research specialties: Material culture, folklore and education, public programming. B.A. Contact Robert N. directly . (2007), Ph.D. (2015) New York University. (1991), Ph.D. (1998) University of California, Los Angeles. 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